Guitar Lesson: Relative Tonality Shifting

Andrew Wasson of Creative Guitar Studio answers a viewers question:

Q: Can you make a video that goes over the concept of playing both major and relative minor scales over the same progression. For example; If there was a chord progression that went: Fmi Bbmi Db Eb could you demonstrate playing over it in two ways. Once resolving into the Major key of Ab Major and then doing it again but playing into the relative Minor, F Minor. Joe Satriani seems to have amazing control over this kind of thing and Id like to know more about it. I find it very difficult to do.
- Douglas - Seattle, WA.

A: Shifting from one tonality to another requires a solid understanding of targeting specific notes and using arpeggios to bring out the two sides of the key's color. In the video lesson I cover how players can target into the tonal center pitches of "F" for Minor Key sound and "Ab" for Major Key sound.

The complete lesson article for this video, (along with a PowerTab chart of the chord changes plus an MP3 audio jam track of the progression heard during the video), is available on the Creative Guitar Studio website.

Rock Lead Guitar Soloing - Part One

This video walks viewers through a typical rock solo that incorporates a number of phrasing devices. Both the Natural Minor and the Minor Pentatonic scales are used.

Get the FREE Associated Lesson Material on our website, just follow the link below:
Rock Lead Soloing Part One Handout

Part 2 of this series is available from the Creative Guitar Studio website. Follow the link below:
Rock Lead Soloing Part Two Video Package

A Quick "Top 5" List of "Must Learn" Improvising Concepts

Andrew answer's the question:

"I am totally stuck when it comes to improvising. I have spent a lot of time practicing scales and also learning about keys and Music Theory. I have also worked through several books that teach guitar licks all over the fingerboard. I have good technique, I have learnt how to play fast lines, tapping, sweep picking, etc. but, I still just cant seem to play a nice long melody during a solo. When I listen to top-notch players like Steve Vai or just good all around guitar players such as David Gilmour they seem to have a flow to their playing that I just cant seem to obtain. Can you please help me with a few tips on this topic."

Thank you,
Donald - Las Vegas, NV.

Andrew goes over a quick "Top 5" list of Improvising Concepts:

1). Learn scale patterns as well as octave templates. Practice for hours to gain a solid technique for them all over the guitar neck.

2). Listen to the solos of great guitar players, and try your best to understand their use of space and economy in their solos. Also, spend time listening to other instruments as well as vocal melody lines. Do a good deal of Transcription work also.

3). Understand that feelings and emotions play a huge role in developing solos that capture a listener’s attention. When you feel inspired... PLAY GUITAR!

4). Master the use of phrasing devices such as; slides, bends, legato, vibrato, double-stops, harmonics... etc.

5). Understand the relationships between scale degrees and the chords being performed at a given point in time. Work very hard at developing the ability to target specific notes as you play. It takes awhile to learn how to do well... but it's worth the effort once you begin to see the results!