Showing posts with label Rock guitarist. Show all posts
Showing posts with label Rock guitarist. Show all posts

The Ventures Live - 45th Anniversary HD video - Watch free instrumental rock band concert


The Ventures Live - 45th Anniversary HD video - Watch free instrumental rock band concert

The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. The band, formed by Don Wilson and Bob Bogle, two masonry workers, has had an enduring impact on the development of music worldwide, having sold over 100 million records, and are to date the best-selling instrumental band of all time. In 2008, the Ventures were inducted into the Rock and Roll Hall of Fame.

The Ventures Live - 45th Anniversary part1.1 HD video

10.59 minutes
Track Song
1. Walk Don't Run - Perfidia - Walk Don't Run
2. Pipeline
3. I Got a Woman

The Ventures Live - 45th Anniversary part1.2 HD video
9.31 minutes

Track Song
4. Penetration
5. Runaway
6. Johnny B. Goode
7. Slaughter on 10th Avenue

See The Ventures Live - 45th Anniversary part2
See The Ventures Live - 45th Anniversary part 3
See The Ventures Live - 45th Anniversary part4

Their music has been cited by many famed guitarists as an influence; indeed, their virtuosity, experimentation with guitar effects, and unique sound laid the groundwork for innumerable groups, earning them the moniker "The Band that Launched a Thousand Bands". They have also contributed to the surf music genre, though they are not, as popularly perceived, strictly a surf band. Though their popularity in the United States waned in the 1970s, the group remains revered in Japan, where they still tour regularly to this day.

The Ventures website http://www.theventures.com

Member
Don Wilson - Rhythm Guitar
Bob Bogle - Bass
Nokie Edwards - Lead Guitar
Leon Taylor - Drum

Thank you Wikipedia

The Ventures Live - 45th Anniversary HD video - Watch free instrumental rock band concert


The Ventures Live - 45th Anniversary HD video - Watch free instrumental rock band concert

The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. The band, formed by Don Wilson and Bob Bogle, two masonry workers, has had an enduring impact on the development of music worldwide, having sold over 100 million records, and are to date the best-selling instrumental band of all time. In 2008, the Ventures were inducted into the Rock and Roll Hall of Fame.

The Ventures Live - 45th Anniversary part1.1 HD video

10.59 minutes
Track Song
1. Walk Don't Run - Perfidia - Walk Don't Run
2. Pipeline
3. I Got a Woman

The Ventures Live - 45th Anniversary part1.2 HD video
9.31 minutes

Track Song
4. Penetration
5. Runaway
6. Johnny B. Goode
7. Slaughter on 10th Avenue

See The Ventures Live - 45th Anniversary part2
See The Ventures Live - 45th Anniversary part 3
See The Ventures Live - 45th Anniversary part4

Their music has been cited by many famed guitarists as an influence; indeed, their virtuosity, experimentation with guitar effects, and unique sound laid the groundwork for innumerable groups, earning them the moniker "The Band that Launched a Thousand Bands". They have also contributed to the surf music genre, though they are not, as popularly perceived, strictly a surf band. Though their popularity in the United States waned in the 1970s, the group remains revered in Japan, where they still tour regularly to this day.

The Ventures website http://www.theventures.com

Member
Don Wilson - Rhythm Guitar
Bob Bogle - Bass
Nokie Edwards - Lead Guitar
Leon Taylor - Drum

Thank you Wikipedia

How To Play Like... Slash


by Chris Elmore

The man behind the music.

When we think of innovation and talent in the guitar world, Slash is usually at the top of the list. With many years in the spotlight as the lead guitarist for Guns N' Roses, Slash left the band in 1996 to pursue a solo career after the band had musical disagreements.

Since then, Slash and two other members that left Guns N' Roses with him (Duff McKagan and Matt Sorum) have formed the very successful band, Velvet Revolver.

Born in London, England, in 1965, Slash had exposure to music from a very young age. Both of his parents worked in the music industry. His mother designed clothes for the likes of David Bowie while his father designed album covers for world famous musicians.

When Slash was eleven, he went with his Mother to Los Angeles. It's hard to believe that the rock star we know and love today had a hard time fitting in as a child. With his unique style, long hair, and laid back attitude, fitting in with the other kids wasn't an easy task.

In later years, Slash's parents broke up and he went to live with his Grandmother. His life, while we may see it as glamorous now, started like many other households around the world.

With the frustration of not fitting in and his parents broken marriage, Slash found himself riding BMX. Biking proved to be a near perfect match for Slash, that is, until he received his first guitar from his Grandmother.

The guitar she gave him wasn't exactly glamorous. It had one string remaining (low E) but he used that guitar as the foundation to his future success. After a new set of strings, Slash's priorities started to change.

His promising career as a talented BMX rider started to take a backseat to his guitar. Soon, Slash was practicing from dawn until dusk. The more he practiced, the more his school work suffered. Eventually, Slash dropped out of High School in grade eleven to pursue his dreams of stardom.

Like many guitarists, Slash came across his fair share of obstacles in the music world. After teaming up with his friend Steven Adler, he created the Road Crew. The band was made of the right material, but needed a lead singer to seal their success. That's when Axl Rose and Izzy Stradlin came into the picture. They merged members and created Guns N' Roses.

The new band made airplay with the infamous song "Sweet Child O Mine." While the band was on the top of their game, Slash fell deeper into drugs and alcohol. While the entire band was using, Slash seemed to be trapped by drugs and unable to escape. It would take almost dying beside an elevator before he began to smarten up.

After years of massive success on the world stage, the band took a little break from touring. Meanwhile, Slash wanted to get back to his roots and created Snake Pit. The new band was well received and hit the road. Instead of the usual stadiums which Slash was accustomed to playing in, he preferred to stick to the local club scene where he could be more interactive with his audiences.

When Axl and the rest of the band returned to the recording studio, tension rose between Axl and the other members of the band. Axl wasn't involved with creating the record, so Slash filled the gap and produced the album himself.

Eventually, Slash left Guns N' Roses to pursue his own solo career. He did work with Alice Cooper and performed on tour with him. This wasn't enough for Slash. While he enjoyed playing with these world famous guitarists, he had the itch for another band.

The wounds were still fresh from Guns N' Roses, so Slash had the idea of creating a compilation album consisting of musicians from around the world. When he began to play with some old buddies from Guns N' Roses who also left the band, Velvet Revolver was created.

Ironically, they went through more problems with their lead singer but ended up with Scott Weiland from The Stone Temple Pilots. The band has topped the charts with hits like "Slither." You can't keep Slash down, and the creation of Velvit Revolver was living proof of that.

The Technique

If you want to play like Slash, you need to know some of his techniques. Slash was completely self taught and practiced along to his favorite bands to become a better musician. The first step you can take to become a better player is listen to a variety of music and try to play along with it.

Slash hated to replicate any guitarist, rather, he let their style influence his. That's why he wrote so many fresh licks, because he wasn't trying to be anybody but himself.

As far as scales are concerned, he relied many on the minor/major pentatonic scales in addition to some mixolydian and Dorian scales for his solos. This may come as a surprise to some, considering how overused these scales have become. The trick to keeping your sound and solos original is to use a variety of techniques coupled with your own ideas.

Slash favored vibrato and using hammer on/ pull off's to create speed. His right picking hand isn't used for speed. Instead, he uses his picking hand to add a percussive feel to his solos.

The more you change the rhythms in your solo, the more unique and intricate it will become. The solo will take on a life of its own. The bottom line is this: put your heart into the solo, add in some ordinary techniques and cool effects and you have yourself a world class solo.

The key ingredient here is practice. Regardless of what techniques you use, you have to know how to apply them in such a way as to move your audience.

The Gear

It's no secret that Slash has had a love affair with the Gibson Les Paul for quite a while. He was playing on a Jackson for a while until his manager found him a '59 Les Paul. However, it was actually a handmade copy made by luthier Chris Derrig. Slash used it for most of his gigs but retired it after too much tour abuse.

To honor Slash for playing their guitars, Gibson has released two limited-edition custom Slash Les Pauls. This is in addition to the approximate 100 guitars already in his collection!

In the studio, Slash likes to experiment with the B.C Rich Mockingbird. His live sound is always with a Les Paul.

As far as Slash's effects pedals are concerned, he takes a different approach. He uses a Dunlop Crybaby, Boss graphic EQ GE-7 and a Boss DD5 digital delay ...a very modest rig.

Now here's the surprise: He uses up to eight wah-wah pedals! Why so many? On stage, Slash likes to move around. By using so many wah-wah pedals, he can easily move around and be near one when he needs it for a solo. That way he didn't have to stand in front of a pedal waiting for the solo to come around. He only used one at a time.

As far as amps are concerned, he prefers the tone of a Marshall. Like Gibson, Marshall also has limited-edition amps in Slash's honor.

The Songs

The song that launched Slash into stardom was "Sweet Child O' Mine." This riff has become a right of passage for many guitarists. Unlike most standard guitar riffs, Sweet Child O' Mine uses some melodic arpeggiated chords found higher up on the neck.

This rhythm is the backbone to the song and has been the signature riff of the song since its creation. Without it, Guns N' Roses may have never been successful. It was the first single from the band to hit the airwaves. This rock ballad has earned the reputation as one of rock's best riffs.

How To Play Like... Slash


by Chris Elmore

The man behind the music.

When we think of innovation and talent in the guitar world, Slash is usually at the top of the list. With many years in the spotlight as the lead guitarist for Guns N' Roses, Slash left the band in 1996 to pursue a solo career after the band had musical disagreements.

Since then, Slash and two other members that left Guns N' Roses with him (Duff McKagan and Matt Sorum) have formed the very successful band, Velvet Revolver.

Born in London, England, in 1965, Slash had exposure to music from a very young age. Both of his parents worked in the music industry. His mother designed clothes for the likes of David Bowie while his father designed album covers for world famous musicians.

When Slash was eleven, he went with his Mother to Los Angeles. It's hard to believe that the rock star we know and love today had a hard time fitting in as a child. With his unique style, long hair, and laid back attitude, fitting in with the other kids wasn't an easy task.

In later years, Slash's parents broke up and he went to live with his Grandmother. His life, while we may see it as glamorous now, started like many other households around the world.

With the frustration of not fitting in and his parents broken marriage, Slash found himself riding BMX. Biking proved to be a near perfect match for Slash, that is, until he received his first guitar from his Grandmother.

The guitar she gave him wasn't exactly glamorous. It had one string remaining (low E) but he used that guitar as the foundation to his future success. After a new set of strings, Slash's priorities started to change.

His promising career as a talented BMX rider started to take a backseat to his guitar. Soon, Slash was practicing from dawn until dusk. The more he practiced, the more his school work suffered. Eventually, Slash dropped out of High School in grade eleven to pursue his dreams of stardom.

Like many guitarists, Slash came across his fair share of obstacles in the music world. After teaming up with his friend Steven Adler, he created the Road Crew. The band was made of the right material, but needed a lead singer to seal their success. That's when Axl Rose and Izzy Stradlin came into the picture. They merged members and created Guns N' Roses.

The new band made airplay with the infamous song "Sweet Child O Mine." While the band was on the top of their game, Slash fell deeper into drugs and alcohol. While the entire band was using, Slash seemed to be trapped by drugs and unable to escape. It would take almost dying beside an elevator before he began to smarten up.

After years of massive success on the world stage, the band took a little break from touring. Meanwhile, Slash wanted to get back to his roots and created Snake Pit. The new band was well received and hit the road. Instead of the usual stadiums which Slash was accustomed to playing in, he preferred to stick to the local club scene where he could be more interactive with his audiences.

When Axl and the rest of the band returned to the recording studio, tension rose between Axl and the other members of the band. Axl wasn't involved with creating the record, so Slash filled the gap and produced the album himself.

Eventually, Slash left Guns N' Roses to pursue his own solo career. He did work with Alice Cooper and performed on tour with him. This wasn't enough for Slash. While he enjoyed playing with these world famous guitarists, he had the itch for another band.

The wounds were still fresh from Guns N' Roses, so Slash had the idea of creating a compilation album consisting of musicians from around the world. When he began to play with some old buddies from Guns N' Roses who also left the band, Velvet Revolver was created.

Ironically, they went through more problems with their lead singer but ended up with Scott Weiland from The Stone Temple Pilots. The band has topped the charts with hits like "Slither." You can't keep Slash down, and the creation of Velvit Revolver was living proof of that.

The Technique

If you want to play like Slash, you need to know some of his techniques. Slash was completely self taught and practiced along to his favorite bands to become a better musician. The first step you can take to become a better player is listen to a variety of music and try to play along with it.

Slash hated to replicate any guitarist, rather, he let their style influence his. That's why he wrote so many fresh licks, because he wasn't trying to be anybody but himself.

As far as scales are concerned, he relied many on the minor/major pentatonic scales in addition to some mixolydian and Dorian scales for his solos. This may come as a surprise to some, considering how overused these scales have become. The trick to keeping your sound and solos original is to use a variety of techniques coupled with your own ideas.

Slash favored vibrato and using hammer on/ pull off's to create speed. His right picking hand isn't used for speed. Instead, he uses his picking hand to add a percussive feel to his solos.

The more you change the rhythms in your solo, the more unique and intricate it will become. The solo will take on a life of its own. The bottom line is this: put your heart into the solo, add in some ordinary techniques and cool effects and you have yourself a world class solo.

The key ingredient here is practice. Regardless of what techniques you use, you have to know how to apply them in such a way as to move your audience.

The Gear

It's no secret that Slash has had a love affair with the Gibson Les Paul for quite a while. He was playing on a Jackson for a while until his manager found him a '59 Les Paul. However, it was actually a handmade copy made by luthier Chris Derrig. Slash used it for most of his gigs but retired it after too much tour abuse.

To honor Slash for playing their guitars, Gibson has released two limited-edition custom Slash Les Pauls. This is in addition to the approximate 100 guitars already in his collection!

In the studio, Slash likes to experiment with the B.C Rich Mockingbird. His live sound is always with a Les Paul.

As far as Slash's effects pedals are concerned, he takes a different approach. He uses a Dunlop Crybaby, Boss graphic EQ GE-7 and a Boss DD5 digital delay ...a very modest rig.

Now here's the surprise: He uses up to eight wah-wah pedals! Why so many? On stage, Slash likes to move around. By using so many wah-wah pedals, he can easily move around and be near one when he needs it for a solo. That way he didn't have to stand in front of a pedal waiting for the solo to come around. He only used one at a time.

As far as amps are concerned, he prefers the tone of a Marshall. Like Gibson, Marshall also has limited-edition amps in Slash's honor.

The Songs

The song that launched Slash into stardom was "Sweet Child O' Mine." This riff has become a right of passage for many guitarists. Unlike most standard guitar riffs, Sweet Child O' Mine uses some melodic arpeggiated chords found higher up on the neck.

This rhythm is the backbone to the song and has been the signature riff of the song since its creation. Without it, Guns N' Roses may have never been successful. It was the first single from the band to hit the airwaves. This rock ballad has earned the reputation as one of rock's best riffs.

Eric Johnson - Top Guitariest


Eric Johnson (born August 17, 1954) is a Grammy Award winning guitarist and recording artist from Austin, Texas. Best known for his success in the instrumental rock format, Johnson regularly incorporates jazz, fusion, New Age, and country and western elements into his recordings.

Guitar Player magazine calls Johnson "One of the most respected guitar virtuosos on the planet". Johnson composes and plays not just instrumental songs, but also sings and plays piano.

Widely recognized for his guitar skills, Johnson's stylistic diversity and technical proficiency have drawn praise from Carlos Santana, Allan Holdsworth, Larry Carlton, Steve Morse, Billy Gibbons, Johnny Winter, Jeff Baxter, Prince, B.B. King, Joe Satriani and the lateStevie RayVaughan. His critically-acclaimed, platinum selling 1990 recording Ah Via Musicom produced the single "Cliffs of Dover", for which Johnson won the 1991 Grammy Award for Best Rock Instrumental Performance

Soloalbums

* Seven Worlds (1978) (re-issue, 1998)
* Tones (1986)
* Ah Via Musicom (1990)
* Venus Isle (1996)
* Souvenir (2002)
* Bloom (2005)
* Live from Austin, TX (2005)

Photo from http://www.math.umn.edu/~collins/

Read more

Eric Johnson website

Eric Johnson Guitar Pick Technique


Eric Johnson - Manhattan G3

Eric Johnson - Top Guitariest


Eric Johnson (born August 17, 1954) is a Grammy Award winning guitarist and recording artist from Austin, Texas. Best known for his success in the instrumental rock format, Johnson regularly incorporates jazz, fusion, New Age, and country and western elements into his recordings.

Guitar Player magazine calls Johnson "One of the most respected guitar virtuosos on the planet". Johnson composes and plays not just instrumental songs, but also sings and plays piano.

Widely recognized for his guitar skills, Johnson's stylistic diversity and technical proficiency have drawn praise from Carlos Santana, Allan Holdsworth, Larry Carlton, Steve Morse, Billy Gibbons, Johnny Winter, Jeff Baxter, Prince, B.B. King, Joe Satriani and the lateStevie RayVaughan. His critically-acclaimed, platinum selling 1990 recording Ah Via Musicom produced the single "Cliffs of Dover", for which Johnson won the 1991 Grammy Award for Best Rock Instrumental Performance

Soloalbums

* Seven Worlds (1978) (re-issue, 1998)
* Tones (1986)
* Ah Via Musicom (1990)
* Venus Isle (1996)
* Souvenir (2002)
* Bloom (2005)
* Live from Austin, TX (2005)

Photo from http://www.math.umn.edu/~collins/

Read more

Eric Johnson website

Eric Johnson Guitar Pick Technique


Eric Johnson - Manhattan G3

Paul Gilbert - Great Rock Guitarist


Paul Brandon Gilbert (November 6, 1966) is a guitarist best known for his work with Racer X and Mr. Big. Following his departure from Mr. Big in 1996, Gilbert pursued a solo career.
Influences and Style

Talking about his influences, Paul mentions many different artists, including Jimmy Page, Judas Priest, Yngwie Malmsteen, Akira Takasaki, Kiss, Van Halen, Randy Rhoads and The Ramones. He is also a great fan of The Beach Boys and The Beatles. He states on the Space Ship Live DVD that George Harrison is one of his favorite guitar players.

Gilbert composes music in a wide variety of styles including pop, rock, metal, blues, jazz, funk and classical, but is perhaps best known for his versatility and speed, which helped him be named as one of the "Top 10 Shredders Of All Time" by Guitar One Magazine. He is also considered to be one of the best proponents of alternate picking, tapping and string skipping.

Photo from laney.co.uk

Read more

Paul Gilbert website

Racer x band website

See Paul Gilbert guitar solo guitar technique guitar tip on VDO bar above

Mr. Big - Paul Gilbert's Guitar Solo (live)

Paul Gilbert Guitar World July 2007 Lesson

Paul Gilbert tapping lesson

Paul Gilbert - Great Rock Guitarist


Paul Brandon Gilbert (November 6, 1966) is a guitarist best known for his work with Racer X and Mr. Big. Following his departure from Mr. Big in 1996, Gilbert pursued a solo career.
Influences and Style

Talking about his influences, Paul mentions many different artists, including Jimmy Page, Judas Priest, Yngwie Malmsteen, Akira Takasaki, Kiss, Van Halen, Randy Rhoads and The Ramones. He is also a great fan of The Beach Boys and The Beatles. He states on the Space Ship Live DVD that George Harrison is one of his favorite guitar players.

Gilbert composes music in a wide variety of styles including pop, rock, metal, blues, jazz, funk and classical, but is perhaps best known for his versatility and speed, which helped him be named as one of the "Top 10 Shredders Of All Time" by Guitar One Magazine. He is also considered to be one of the best proponents of alternate picking, tapping and string skipping.

Photo from laney.co.uk

Read more

Paul Gilbert website

Racer x band website

See Paul Gilbert guitar solo guitar technique guitar tip on VDO bar above

Mr. Big - Paul Gilbert's Guitar Solo (live)

Paul Gilbert Guitar World July 2007 Lesson

Paul Gilbert tapping lesson

George Harrison


George Harrison (25 February 1943 -- 29 November 2001) was an influential English rock guitarist, singer, songwriter, author and sitarist best known as the lead guitarist of The Beatles. Following the band's demise, Harrison had a successful career as a solo artist and later as part of the Traveling Wilburys super group where he was known as both Nelson Wilbury and Spike Wilbury. He was also a film producer, with his production company Handmade Films, involving people as diverse as Madonna and the members of Monty Python. From an initial exposure whilst a member of the Beatles, he maintained a high public profile regarding his religious and spiritual life.

Death

Harrison's cancer recurred in 2001 and was found to have metastasized. Despite very aggressive treatment, it was soon found to be terminal. He set about getting his affairs in order and spent his final months with his family and close friends. He also worked on songs for an album with his son Dhani, which was released after his death.

Harrison died in a Hollywood Hills mansion that was once leased by McCartney and was previously owned by Courtney Love. (Reuters reported that the house had been leased in the name of Gavin de Becker, a security consultant working for Harrison).

During an interview on the Larry King show on CNN during 2007, Paul McCartney described how he had visited Harrison on his death bed and demonstrated how he had sat silently next to Harrison while stroking Harrison's hand to comfort him. The interview can be seen on YouTube.

Harrison died on 29 November 2001. He was 58 years old. Harrison's death was ascribed to lung cancer that had metastasised to the brain. He was cremated and, although it was widely reported that his ashes were scattered in the Ganges River, the ceremony was not conducted at the expected time. The actual disposition of the ashes has not been publicly disclosed.

After his death, the Harrison family released the following statement: "He left this world as he lived in it: conscious of God, fearless of death and at peace, surrounded by family and friends. Harrison had often said, "Everything else can wait, but the search for God cannot wait; and love one another."

Harrison and Aaliyah made UK chart history when they scored the first (and so far the only) pair of back-to-back posthumous number one hits as Aaliyah's "More than a Woman" (released on 7 January 2002 and topped the chart on 13 January 2002) was followed by Harrison's "My Sweet Lord" (re-released on 14 January 2002 and topped the chart on 20 January 2002).

Harrison's final album, Brainwashed, was completed by Dhani Harrison and Jeff Lynne and released on 18 November 2002. It received generally positive reviews in the United States, and peaked at #18 on the Billboard charts. A media-only single, "Stuck Inside a Cloud", was heavily played on UK and U.S. radio to promote the album (#27 on Billboard's Adult Contemporary chart), while the official single "Any Road", released in May 2003, reached #37 on the British chart.

Photo from georgeharrison.com

Read more

George Harrison website

While My Guitar Gently Weeps - George Harrison



George Harrison - MY SWEET LORD

George Harrison


George Harrison (25 February 1943 -- 29 November 2001) was an influential English rock guitarist, singer, songwriter, author and sitarist best known as the lead guitarist of The Beatles. Following the band's demise, Harrison had a successful career as a solo artist and later as part of the Traveling Wilburys super group where he was known as both Nelson Wilbury and Spike Wilbury. He was also a film producer, with his production company Handmade Films, involving people as diverse as Madonna and the members of Monty Python. From an initial exposure whilst a member of the Beatles, he maintained a high public profile regarding his religious and spiritual life.

Death

Harrison's cancer recurred in 2001 and was found to have metastasized. Despite very aggressive treatment, it was soon found to be terminal. He set about getting his affairs in order and spent his final months with his family and close friends. He also worked on songs for an album with his son Dhani, which was released after his death.

Harrison died in a Hollywood Hills mansion that was once leased by McCartney and was previously owned by Courtney Love. (Reuters reported that the house had been leased in the name of Gavin de Becker, a security consultant working for Harrison).

During an interview on the Larry King show on CNN during 2007, Paul McCartney described how he had visited Harrison on his death bed and demonstrated how he had sat silently next to Harrison while stroking Harrison's hand to comfort him. The interview can be seen on YouTube.

Harrison died on 29 November 2001. He was 58 years old. Harrison's death was ascribed to lung cancer that had metastasised to the brain. He was cremated and, although it was widely reported that his ashes were scattered in the Ganges River, the ceremony was not conducted at the expected time. The actual disposition of the ashes has not been publicly disclosed.

After his death, the Harrison family released the following statement: "He left this world as he lived in it: conscious of God, fearless of death and at peace, surrounded by family and friends. Harrison had often said, "Everything else can wait, but the search for God cannot wait; and love one another."

Harrison and Aaliyah made UK chart history when they scored the first (and so far the only) pair of back-to-back posthumous number one hits as Aaliyah's "More than a Woman" (released on 7 January 2002 and topped the chart on 13 January 2002) was followed by Harrison's "My Sweet Lord" (re-released on 14 January 2002 and topped the chart on 20 January 2002).

Harrison's final album, Brainwashed, was completed by Dhani Harrison and Jeff Lynne and released on 18 November 2002. It received generally positive reviews in the United States, and peaked at #18 on the Billboard charts. A media-only single, "Stuck Inside a Cloud", was heavily played on UK and U.S. radio to promote the album (#27 on Billboard's Adult Contemporary chart), while the official single "Any Road", released in May 2003, reached #37 on the British chart.

Photo from georgeharrison.com

Read more

George Harrison website

While My Guitar Gently Weeps - George Harrison



George Harrison - MY SWEET LORD

Steve Vai - The Greatest Guitarist


Steven Siro Vai (born June 6, 1960 in Carle Place, New York) is a Grammy Award-winning guitarist, composer and record producer
When growing up, the young Vai became interested in rock giants such as Jimi Hendrix, Alice Cooper and Led Zeppelin which led him to take up learning the guitar. Prior to attending Berklee College of Music in 1978, Steve took guitar lessons from now fellow guitar virtuoso Joe Satriani, and played in numerous local bands. He has acknowledged the influence of many guitarists including Jeff Beck and fusion guitarist Allan Holdsworth.

Musicle style: Where Vai's contributions to others' material has been constrained by the largely rock or heavy-rock style of those bands, his own material is somewhat more eclectic.

Vai's playing style has been characterized as quirky and angular, owing to his superb technical facility with the instrument and deep knowledge of music theory. Vai has been credited with the recent revival of the 7-string guitar, and has used double and triple neck guitars on many occasions.

An interesting point to note is Vai's commitment to practice. In several guitar magazines and texts, he is reported to practice upwards of eight hours per day, a habit he began as early as his high school days.

See Steve vai guitar technique guitar tip on VDO bare above

Photo from Wikipedia

Read more

Steve Vai website

G3 Live in Denver (Steve Vai, Joe Satriani & Yngwie Malmsteem)

Steve Vai guitar lesson VDO



Steve Vai - I know you're here

Steve Vai - The Greatest Guitarist


Steven Siro Vai (born June 6, 1960 in Carle Place, New York) is a Grammy Award-winning guitarist, composer and record producer
When growing up, the young Vai became interested in rock giants such as Jimi Hendrix, Alice Cooper and Led Zeppelin which led him to take up learning the guitar. Prior to attending Berklee College of Music in 1978, Steve took guitar lessons from now fellow guitar virtuoso Joe Satriani, and played in numerous local bands. He has acknowledged the influence of many guitarists including Jeff Beck and fusion guitarist Allan Holdsworth.

Musicle style: Where Vai's contributions to others' material has been constrained by the largely rock or heavy-rock style of those bands, his own material is somewhat more eclectic.

Vai's playing style has been characterized as quirky and angular, owing to his superb technical facility with the instrument and deep knowledge of music theory. Vai has been credited with the recent revival of the 7-string guitar, and has used double and triple neck guitars on many occasions.

An interesting point to note is Vai's commitment to practice. In several guitar magazines and texts, he is reported to practice upwards of eight hours per day, a habit he began as early as his high school days.

See Steve vai guitar technique guitar tip on VDO bare above

Photo from Wikipedia

Read more

Steve Vai website

G3 Live in Denver (Steve Vai, Joe Satriani & Yngwie Malmsteem)

Steve Vai guitar lesson VDO



Steve Vai - I know you're here

Alex Lifeson


Alex Lifeson (born Alexander Zivojinovich on August 27, 1953, in Fernie, British Columbia, Canada), is a Canadian musician, best known as the guitarist for the rock group Rush.

Lifeson founded Rush in the summer of 1968, and has been an integral member of the three-piece band ever since. For Rush, Lifeson plays electric and acoustic guitars as well as other stringed instruments. He also performs backing vocals in live performances, and occasionally plays keyboards. During live performances, Lifeson, like the other members of Rush, performs real-time triggering of sampled instruments, concurrently with his guitar playing. The bulk of Lifeson's work in music has been with Rush, although Lifeson has contributed to a body of work outside of the band as well. Aside from music, Lifeson is part owner of the Toronto restaurant The Orbit Room, and is a licensed aircraft pilot and motorcycle rider.

Along with his bandmates Geddy Lee and Neil Peart, Lifeson was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honored, as a group.

On May 1, 2007, Rush released Snakes & Arrows, their eighteenth full-length studio album. Lifeson and the band have followed up the album with a concert tour, beginning June 13, 2007.

Guitar equipment

In Rush's early career, Lifeson used a Gibson ES-335 for the first single and the first three albums: Rush, Fly By Night, and Caress Of Steel, and for the 2112 tour he used a Gibson Les Paul and Marshall amplification. Later on in the '70s he started using a Gibson EDS-1275 (similar to Jimmy Page) for songs like Xanadu. By the time of Hemispheres he had switched primarily to a cream-colored Gibson ES-355 guitar, with most of the amplification coming from Hiwatt amplifiers. Pedal wise he used various phaser and flanger pedals a Cry Baby Wah Wah, and a "Plexi" amplifier. Beginning in the late 1970s, he increasingly incorporated twelve-string guitar (acoustic and electric) and chorusing (Using the Boss Chorus Ensemble and later the Roland Dimension C) into his sound. By the time of the 1982 Rush album Signals, Lifeson's primary guitar had become a hot-rodded Stratocaster with a Bill Lawrence high-output humbucker L-500, (a type later made famous by Dimebag Darrell) in the bridge position and a Floyd Rose bridge,
and as the '80s wore on he switched from passive to active pickups and from vacuum tube to solid-state amplification, all with an increasingly thick layer of digital signal processing. Lifeson used Stratocasters from 1980 to 1986, he used them on newer material from Permanent Waves and Moving Pictures on their respective tours and more predominantly from 1982's Signals up to 1985's Power Windows For the Moving Pictures and Signals albums and on several tours Alex used up to four quite rare brown Marshall 4140 Club & Country 100W combo amps, giving him his perhaps most characteristic guitar tone to date. Lifeson was also later on an endorser of the Gallien-Krueger solid-state guitar amplifier line. In the late 1980s he switched to Carvin amplifiers in the studio and his short-lived Signature brand guitars onstage and in the studio.

Lifeson primarily used PRS guitars during the recording of Roll The Bones in 1990/1991. When recording 1993's Counterparts, Lifeson continued to use PRS Guitars and Marshall amplifiers to record the album, and for the subsequent tour. On one Counterparts song, Stick It Out, Lifeson used a Gibson Les Paul to create a deeper, more resonant tone for the song's signature riff, using a PRS on the guitar solo. Lifeson currently uses PRS, Fender, and Gibson guitars, Hughes and Kettner Triamp MK II and Zentera amplifiers, and cabinets. In 2005, Hughes and Kettner introduced an Alex Lifeson signature series amplifier; $50 from every amplifier sold will be donated to UNICEF.

Other instruments played

During live Rush performances, Lifeson uses a MIDI controller that enables him to use his feet to trigger sounds from digital samplers, without taking his hands off of his guitar. (Prior to this, Lifeson used Moog Taurus Bass Pedals before they were obsolesced and replaced by MIDI pedals in the 1980s.) Lifeson and his bandmates share a desire to accurately depict songs from their albums when playing live performances. Toward this goal, beginning in the late 1980s the band equipped their live performances with a capacious rack of samplers. The band members use these samplers in real-time to recreate the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound "events" that are familiarly heard on the studio versions of the songs. In live performances, the band members share duties throughout most songs, with each member triggering certain sounds with his available limbs, while playing his primary instrument(s). It is with this technology that Lifeson and his bandmates are able to

present their arrangements in a live setting with the level of complexity and fidelity that fans have come to expect, and without the need to resort to the use of backing tracks or employing an additional band member.

Lifeson's (and his bandmates') use of foot-pedal keyboards to trigger sampled instruments and audio events is visible on R30: 30th Anniversary World Tour concert DVD (2005).

Lifeson has also played mandola, mandolin and bouzouki on recent Rush albums.

Read more

Photo from Wikipedia

VDO Rush - Marathon

VDO Rush - Mission: Live Version

Alex Lifeson


Alex Lifeson (born Alexander Zivojinovich on August 27, 1953, in Fernie, British Columbia, Canada), is a Canadian musician, best known as the guitarist for the rock group Rush.

Lifeson founded Rush in the summer of 1968, and has been an integral member of the three-piece band ever since. For Rush, Lifeson plays electric and acoustic guitars as well as other stringed instruments. He also performs backing vocals in live performances, and occasionally plays keyboards. During live performances, Lifeson, like the other members of Rush, performs real-time triggering of sampled instruments, concurrently with his guitar playing. The bulk of Lifeson's work in music has been with Rush, although Lifeson has contributed to a body of work outside of the band as well. Aside from music, Lifeson is part owner of the Toronto restaurant The Orbit Room, and is a licensed aircraft pilot and motorcycle rider.

Along with his bandmates Geddy Lee and Neil Peart, Lifeson was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honored, as a group.

On May 1, 2007, Rush released Snakes & Arrows, their eighteenth full-length studio album. Lifeson and the band have followed up the album with a concert tour, beginning June 13, 2007.

Guitar equipment

In Rush's early career, Lifeson used a Gibson ES-335 for the first single and the first three albums: Rush, Fly By Night, and Caress Of Steel, and for the 2112 tour he used a Gibson Les Paul and Marshall amplification. Later on in the '70s he started using a Gibson EDS-1275 (similar to Jimmy Page) for songs like Xanadu. By the time of Hemispheres he had switched primarily to a cream-colored Gibson ES-355 guitar, with most of the amplification coming from Hiwatt amplifiers. Pedal wise he used various phaser and flanger pedals a Cry Baby Wah Wah, and a "Plexi" amplifier. Beginning in the late 1970s, he increasingly incorporated twelve-string guitar (acoustic and electric) and chorusing (Using the Boss Chorus Ensemble and later the Roland Dimension C) into his sound. By the time of the 1982 Rush album Signals, Lifeson's primary guitar had become a hot-rodded Stratocaster with a Bill Lawrence high-output humbucker L-500, (a type later made famous by Dimebag Darrell) in the bridge position and a Floyd Rose bridge,
and as the '80s wore on he switched from passive to active pickups and from vacuum tube to solid-state amplification, all with an increasingly thick layer of digital signal processing. Lifeson used Stratocasters from 1980 to 1986, he used them on newer material from Permanent Waves and Moving Pictures on their respective tours and more predominantly from 1982's Signals up to 1985's Power Windows For the Moving Pictures and Signals albums and on several tours Alex used up to four quite rare brown Marshall 4140 Club & Country 100W combo amps, giving him his perhaps most characteristic guitar tone to date. Lifeson was also later on an endorser of the Gallien-Krueger solid-state guitar amplifier line. In the late 1980s he switched to Carvin amplifiers in the studio and his short-lived Signature brand guitars onstage and in the studio.

Lifeson primarily used PRS guitars during the recording of Roll The Bones in 1990/1991. When recording 1993's Counterparts, Lifeson continued to use PRS Guitars and Marshall amplifiers to record the album, and for the subsequent tour. On one Counterparts song, Stick It Out, Lifeson used a Gibson Les Paul to create a deeper, more resonant tone for the song's signature riff, using a PRS on the guitar solo. Lifeson currently uses PRS, Fender, and Gibson guitars, Hughes and Kettner Triamp MK II and Zentera amplifiers, and cabinets. In 2005, Hughes and Kettner introduced an Alex Lifeson signature series amplifier; $50 from every amplifier sold will be donated to UNICEF.

Other instruments played

During live Rush performances, Lifeson uses a MIDI controller that enables him to use his feet to trigger sounds from digital samplers, without taking his hands off of his guitar. (Prior to this, Lifeson used Moog Taurus Bass Pedals before they were obsolesced and replaced by MIDI pedals in the 1980s.) Lifeson and his bandmates share a desire to accurately depict songs from their albums when playing live performances. Toward this goal, beginning in the late 1980s the band equipped their live performances with a capacious rack of samplers. The band members use these samplers in real-time to recreate the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound "events" that are familiarly heard on the studio versions of the songs. In live performances, the band members share duties throughout most songs, with each member triggering certain sounds with his available limbs, while playing his primary instrument(s). It is with this technology that Lifeson and his bandmates are able to

present their arrangements in a live setting with the level of complexity and fidelity that fans have come to expect, and without the need to resort to the use of backing tracks or employing an additional band member.

Lifeson's (and his bandmates') use of foot-pedal keyboards to trigger sampled instruments and audio events is visible on R30: 30th Anniversary World Tour concert DVD (2005).

Lifeson has also played mandola, mandolin and bouzouki on recent Rush albums.

Read more

Photo from Wikipedia

VDO Rush - Marathon

VDO Rush - Mission: Live Version

Peter Frampton


Peter Kenneth Frampton (born April 22, 1950 in Beckenham, Kent) is an English musician, best known today for his solo work in the mid-1970s and as one of the original members of the band Humble Pie.
By the age of ten, Frampton played in a band called the Little Ravens. Both he and David Bowie were pupils at Bromley Technical School where Frampton's father, Owen Frampton, was an art teacher and head of the Art department. The Little Ravens played on the same bill at school as Bowie's band, George and the Dragons. Peter and David would spend time together at lunch breaks, playing Buddy Holly songs.

At the age of 11, Peter was playing with a band called The Trubeats followed by a band called The Preachers, produced and managed by Bill Wyman, of The Rolling Stones.

In 1966, he became as a member of The Herd. He was the lead guitarist and singer, scoring a handful of British teenybopper hits. Frampton was named "The Face of 1968" by the UK press.

In 1969, when Frampton was 19 years old, he joined with Steve Marriott of The Small Faces to form Humble Pie.

While playing with Humble Pie, Frampton also did session recording with other artists including; Harry Nilsson, Jim Price, Jerry Lee Lewis and George Harrison's solo All Things Must Pass, in 1971. This session was where he was introduced to the 'Talkbox' that has become such a trademark guitar sound for Frampton.

Peter Frampton guitar solo guitar tip technique with talk box "Show me the way"



Discography

* Wind of Change (1972)
* Frampton's Camel (1973)
* Somethin's Happening (1974)
* Frampton (1975)
* Frampton Comes Alive! (1976)
* I'm in You (1977)
* Where I Should Be (1979)
* Rise Up (1980)
* Breaking All The Rules (1981)
* The Art of Control (1982)
* Premonition (1986)
* When All the Pieces Fit (1989)
* Peter Frampton (1994)
* Frampton Comes Alive II (1995)
* Live in Detroit (2000)
* Now (2003)
* Live in San Francisco March 24, 1975 (2004)
* 2004 Summer Tour (2004)*
* Fingerprints (2006)

Read more 1

Read more 2

Picture from http://www.myguitarsolo.com/Players/PeterFrampton.htm

Peter Frampton website

Peter Frampton


Peter Kenneth Frampton (born April 22, 1950 in Beckenham, Kent) is an English musician, best known today for his solo work in the mid-1970s and as one of the original members of the band Humble Pie.
By the age of ten, Frampton played in a band called the Little Ravens. Both he and David Bowie were pupils at Bromley Technical School where Frampton's father, Owen Frampton, was an art teacher and head of the Art department. The Little Ravens played on the same bill at school as Bowie's band, George and the Dragons. Peter and David would spend time together at lunch breaks, playing Buddy Holly songs.

At the age of 11, Peter was playing with a band called The Trubeats followed by a band called The Preachers, produced and managed by Bill Wyman, of The Rolling Stones.

In 1966, he became as a member of The Herd. He was the lead guitarist and singer, scoring a handful of British teenybopper hits. Frampton was named "The Face of 1968" by the UK press.

In 1969, when Frampton was 19 years old, he joined with Steve Marriott of The Small Faces to form Humble Pie.

While playing with Humble Pie, Frampton also did session recording with other artists including; Harry Nilsson, Jim Price, Jerry Lee Lewis and George Harrison's solo All Things Must Pass, in 1971. This session was where he was introduced to the 'Talkbox' that has become such a trademark guitar sound for Frampton.

Peter Frampton guitar solo guitar tip technique with talk box "Show me the way"



Discography

* Wind of Change (1972)
* Frampton's Camel (1973)
* Somethin's Happening (1974)
* Frampton (1975)
* Frampton Comes Alive! (1976)
* I'm in You (1977)
* Where I Should Be (1979)
* Rise Up (1980)
* Breaking All The Rules (1981)
* The Art of Control (1982)
* Premonition (1986)
* When All the Pieces Fit (1989)
* Peter Frampton (1994)
* Frampton Comes Alive II (1995)
* Live in Detroit (2000)
* Now (2003)
* Live in San Francisco March 24, 1975 (2004)
* 2004 Summer Tour (2004)*
* Fingerprints (2006)

Read more 1

Read more 2

Picture from http://www.myguitarsolo.com/Players/PeterFrampton.htm

Peter Frampton website

David Gilmour


David Jon Gilmour CBE (born March 6, 1946 in Cambridge, Cambridgeshire) is an English guitarist, singer, and songwriter best known as a member of the band Pink Floyd. In addition to his work with Pink Floyd, Gilmour has also worked as a record producer for a variety of famous artists. Gilmour has been very active in many charity organisations over the course of his career. In 2003, he was appointed CBE for this work. Gilmour was also voted No. 1 in Fender's Greatest Players of all time poll in the February 2006 issue of Guitarist (UK) magazine.

Musical style

Gilmour has a very precise solo style, rooted in blues and notable for expressive note bends and sustain. His solos are noted for being well-composed, economical, lyrical and emotional. In interviews, Gilmour has explained that what he sees as his lack of technique led him to concentrate on melody over speed and 'virtuosity', and this is borne out by the enduring appeal of his solos.

During many of his solos he would switch the guitar to the rhythm (or neck) pickup. This, switching pickup, produced a fatter, stronger "liquid" sound to a "cut through" sound all in the same solo and is featured in "Shine On You Crazy Diamond" and "Echoes". This is part of what gives Gilmour's playing such a distinctive sound and tone.

In his early career with Pink Floyd Gilmour played a multitude of Fender Stratocasters and is one of the brand's most faithful players. He even employs a Fender pedal steel guitar for the re-formed Pink Floyd's rendition of the classic "One of These Days". During both the Momentary Lapse and Division tours he almost exclusively played a Red '57 reissue with a set of EMG active pickups. In his solo career he employs a wide assortment of guitars, favouring none. Indeed, one of his most famous solos ("Another Brick in the Wall Part 2") was played on a Gibson Les Paul.

Although mainly known for his guitar work, Gilmour is also a proficient multi-instrumentalist. He also plays bass guitar (which he did on some Pink Floyd tracks), keyboards, harmonica, drums (as heard on the Syd Barrett solo track "Dominoes", and other songs where he opted to play all the instruments) and lately, the saxophone.

In 1996, Gilmour was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd.

In August 2006, Gilmour's solo on "Comfortably Numb" was voted the greatest guitar solo of all time in a poll by viewers of the digital music station Planet Rock.

See David Gilmour guitar solo (The 50th Aniveresary Fender Stratocaster)

Photo from Wikipedia

Read more

David Gilmour website

David Gilmour


David Jon Gilmour CBE (born March 6, 1946 in Cambridge, Cambridgeshire) is an English guitarist, singer, and songwriter best known as a member of the band Pink Floyd. In addition to his work with Pink Floyd, Gilmour has also worked as a record producer for a variety of famous artists. Gilmour has been very active in many charity organisations over the course of his career. In 2003, he was appointed CBE for this work. Gilmour was also voted No. 1 in Fender's Greatest Players of all time poll in the February 2006 issue of Guitarist (UK) magazine.

Musical style

Gilmour has a very precise solo style, rooted in blues and notable for expressive note bends and sustain. His solos are noted for being well-composed, economical, lyrical and emotional. In interviews, Gilmour has explained that what he sees as his lack of technique led him to concentrate on melody over speed and 'virtuosity', and this is borne out by the enduring appeal of his solos.

During many of his solos he would switch the guitar to the rhythm (or neck) pickup. This, switching pickup, produced a fatter, stronger "liquid" sound to a "cut through" sound all in the same solo and is featured in "Shine On You Crazy Diamond" and "Echoes". This is part of what gives Gilmour's playing such a distinctive sound and tone.

In his early career with Pink Floyd Gilmour played a multitude of Fender Stratocasters and is one of the brand's most faithful players. He even employs a Fender pedal steel guitar for the re-formed Pink Floyd's rendition of the classic "One of These Days". During both the Momentary Lapse and Division tours he almost exclusively played a Red '57 reissue with a set of EMG active pickups. In his solo career he employs a wide assortment of guitars, favouring none. Indeed, one of his most famous solos ("Another Brick in the Wall Part 2") was played on a Gibson Les Paul.

Although mainly known for his guitar work, Gilmour is also a proficient multi-instrumentalist. He also plays bass guitar (which he did on some Pink Floyd tracks), keyboards, harmonica, drums (as heard on the Syd Barrett solo track "Dominoes", and other songs where he opted to play all the instruments) and lately, the saxophone.

In 1996, Gilmour was inducted into the Rock and Roll Hall of Fame as a member of Pink Floyd.

In August 2006, Gilmour's solo on "Comfortably Numb" was voted the greatest guitar solo of all time in a poll by viewers of the digital music station Planet Rock.

See David Gilmour guitar solo (The 50th Aniveresary Fender Stratocaster)

Photo from Wikipedia

Read more

David Gilmour website

Joe Satriani


Satriani is widely recognized as a technically highly advanced rock guitarist. He has mastered many performance techniques on the instrument, including two-handed tapping, sweep-picking, volume swells, harmonics, and extreme whammy bar effects. One of his trademark compositional traits is the use of Pitch Axis Theory which he applies with a variety of modes. Satriani approaches scales and soloing differently. Instead of practicing his scales in positions he practices his scales one string at a time. He calls this technique ‘linear scales’. Satriani falls into the category of guitar virtuosos who primarily achieve speed through hammer-ons and pull-offs (like Allan Holdsworth), as opposed to guitarists who include lines with very rapid alternate picking of every note in their playing (like Al Di Meola, Yngwie Malmsteen,or Michael Angelo Batio).
Satriani (like Steve Vai, Yngwie Malmsteen and other guitarists who incorporate speed and technical precision in their playing) has been criticized by those who prefer simpler compositional styles. For example, Gary Moore once said that he found Satriani's music "cerebral", saying, "it leaves me cold". Although his more flamboyant student, Steve Vai, has garnered more attention, most writers and musicians respect Satriani's musicianship as well as his modest and personable demeanor.
Fans of instrumental electric guitar music widely laud him as the most lyrical and soulful of contemporary rock guitarists, with an eye and an ear for a good tune and, more recently, an emphasis on emotion over technique. Since 1998 his albums have been, stylistically speaking, a departure from his earlier style, delving into simpler, more widely accessible genres. Satriani has maintained a large fan base throughout the world, buoyed largely by the lasting influence of his earlier albums.
His success is notable in a genre typically unfriendly to instrumental musicians. Satriani has received 14 Grammy nominations,and he has sold more than 10 million albums worldwide. Many of his fans call him "Satch," short for Satriani, as have his friends over the years. The song "Satch Boogie" from the album Surfing With the Alien is one of possibly several hundred such songs numbered, but with no names ("Satch Boogie 1," "Satch Boogie 143," etc.). Other guitarists sometimes refer to him as "Saint Joe;" there are numerous t-shirts to this effect.
Satriani has endorsed Ibanez's JS Series guitars, and Peavey's JSX amplifier. Both lines were designed specifically as signature products for Satriani.


Read more to Wikipedia

See his guitar tip, guitar technique, concert on the concert bar above

Joe Satriani homepage

Joe Satriani


Satriani is widely recognized as a technically highly advanced rock guitarist. He has mastered many performance techniques on the instrument, including two-handed tapping, sweep-picking, volume swells, harmonics, and extreme whammy bar effects. One of his trademark compositional traits is the use of Pitch Axis Theory which he applies with a variety of modes. Satriani approaches scales and soloing differently. Instead of practicing his scales in positions he practices his scales one string at a time. He calls this technique ‘linear scales’. Satriani falls into the category of guitar virtuosos who primarily achieve speed through hammer-ons and pull-offs (like Allan Holdsworth), as opposed to guitarists who include lines with very rapid alternate picking of every note in their playing (like Al Di Meola, Yngwie Malmsteen,or Michael Angelo Batio).
Satriani (like Steve Vai, Yngwie Malmsteen and other guitarists who incorporate speed and technical precision in their playing) has been criticized by those who prefer simpler compositional styles. For example, Gary Moore once said that he found Satriani's music "cerebral", saying, "it leaves me cold". Although his more flamboyant student, Steve Vai, has garnered more attention, most writers and musicians respect Satriani's musicianship as well as his modest and personable demeanor.
Fans of instrumental electric guitar music widely laud him as the most lyrical and soulful of contemporary rock guitarists, with an eye and an ear for a good tune and, more recently, an emphasis on emotion over technique. Since 1998 his albums have been, stylistically speaking, a departure from his earlier style, delving into simpler, more widely accessible genres. Satriani has maintained a large fan base throughout the world, buoyed largely by the lasting influence of his earlier albums.
His success is notable in a genre typically unfriendly to instrumental musicians. Satriani has received 14 Grammy nominations,and he has sold more than 10 million albums worldwide. Many of his fans call him "Satch," short for Satriani, as have his friends over the years. The song "Satch Boogie" from the album Surfing With the Alien is one of possibly several hundred such songs numbered, but with no names ("Satch Boogie 1," "Satch Boogie 143," etc.). Other guitarists sometimes refer to him as "Saint Joe;" there are numerous t-shirts to this effect.
Satriani has endorsed Ibanez's JS Series guitars, and Peavey's JSX amplifier. Both lines were designed specifically as signature products for Satriani.


Read more to Wikipedia

See his guitar tip, guitar technique, concert on the concert bar above

Joe Satriani homepage